On a bare and scarcely lit stage, Filippo Timi performs passages from “Sono apparso alla Madonna,” the autobiographical text written by Carmelo Bene and published in 1983. Iconoclastic, brilliant, scandalous, provoking, ambiguous. Considered by many the greatest Italian actor of the 20th century, Bene was an elusive and unclassifiable figure, but he remained loyal to a single, ...